Politics makes strange bedfellows, but never stranger than when a sexy, savvy, African-American conservative Republican reluctantly falls for his Democratic counterpart: a beautiful Indian-American Obama campaign volunteer. Sparks fly, tempers flare, heads turn, and romance blossoms for this mismatched pair of lovers in the frantic and intoxicating days leading up to Election Day. Can the politics of love conquer all?

On October 13, 1972, Uruguayan Air Force Flight 571, chartered to take a rugby team to Chile, crashes into a glacier in the heart of the Andes.

Cielo is a mother whose teenage daughter is kidnapped in Northern Mexico. When the authorities offer no support in the search, Cielo takes matters into her own hands and transforms from housewife into a vengeful militant.

Civil Wars is an American legal drama that aired on ABC from November 1991 to March 1993. The series was produced by Steven Bochco, known for his work on NYPD Blue, L.A. Law and Hill Street Blues. After a brief syndicated run on the FX Network in the mid 90s, the series has not aired since.

The Imperial Empire is attacked by an Alliance of rebels led by fanatical mystics. The ruler, Empress Nobu, the 8th generation of her family, wants to execute a bold plan to rescue a cyborg, Leah C6, trapped on the battle ravaged planet Endor. The Empress believes Leah C6 holds the secret to destroying the Alliance of Rebels before their insurgency can kill millions of citizens of the Empire. She recruits her heroic fleet commander, Lord General Luka Raan and asks him to gather a team from the Empire's elite soldiers, the Galactic Rangers. Raan assembles the team in the ruins of Endor which was attacked by depraved Rebels and outlaws led by, Kindo-Ker, a fanatical mystic in Dark Energy. The Galactic Rangers begin a desperate search to find and rescue Leah C6 before the Alliance Rebels can.

Looking at the birth of America's first intelligence units, set in motion in by President Lincoln himself in the early days of the war; exploring a spy who broke the boundaries of gender and race.

A group of Russian mobsters have stolen a huge supply of paper for printing U.S. currency, and are now flooding the market with conterfeit bills. When one of the mobsters decides to give herself in and hand over a data CD to the DA, she is shot and killed, but not before handing the disc to an unsuspecting Tommy Lee. Despite working with the police as a martial arts instructor, Lee doesn't go to the cops with the disc, but instead goes on the run, giving the mafia time to kidnap his daughter and hold as a hostage in exchange for return of the disc. Will Tommy ever see his daughter again?

For the third and final contribution to Contour Biennale 8, inhabitants has commissioned Adam Khalil and Zack Khalil in order to host an urgent reflection on indigenous sovereignty, the undead violence of museum archives, and post-mortem justice. 　　Filmmakers Adam and Zack Khalil, in collaboration with artist Jackson Polys, investigate the recent court case that decided the fate of the remains of a prehistoric Paleoamerican man found in Kennewick, Washington State in 1996. The case pitted the Umatilla people and other tribes, who wanted to provide a burial to the “Ancient One”, against two scientists—one of which from the publicly-funded Smithsonian Institute—who wanted to study the “Kennewick Man”. In order for the claim to fall under the Native American Graves Protection and Repatriation Act (NAGPRA) it became necessary to establish the lineage of these remains. This fight unleashed a controversy with groups attempting to establish white ancestry, and with this seeking to altogether undermine the indigenous sovereignty over land and ancestors and annul centuries of colonial violence. The evolving science of DNA and cranial morphology was grotesquely called in to testify to the purity of the bones’ ethnicity, where native claims to embodied knowledge of its origin had little means of addressing the court. Despite all of this, the Umatilla people and other tribes ultimately repatriated the “Ancient One” and he was reburied earlier this year in 2017. 　　Bios: 　　Adam Khalil and Zack Khalil (Ojibway) are filmmakers and artists from Sault Ste. Marie, Michigan and currently based in Brooklyn, New York. Their work subverts traditional forms of ethnography through humor, transgression, and innovative documentary practice. Their films and installations have been exhibited at the Museum of Modern Art, Walker Arts Center, e-flux, UnionDocs, and Microscope Gallery. 　　Jackson Polys is an artist who lives and works between what is currently called Alaska and New York. His work reflects examinations into the limits and viability of desires for indigenous growth. He began carving with his father, Tlingit artist Nathan Jackson, in high school, has worked as an artist based in Alaska as Stron Softi, with solo exhibitions at the Alaska State Museum and the Anchorage Museum, and holds an MFA in Visual Arts from Columbia University’s School of the Arts (2015).

For the third and final contribution to Contour Biennale 8, inhabitants has commissioned Adam Khalil and Zack Khalil in order to host an urgent reflection on indigenous sovereignty, the undead violence of museum archives, and post-mortem justice. 　　Filmmakers Adam and Zack Khalil, in collaboration with artist Jackson Polys, investigate the recent court case that decided the fate of the remains of a prehistoric Paleoamerican man found in Kennewick, Washington State in 1996. The case pitted the Umatilla people and other tribes, who wanted to provide a burial to the “Ancient One”, against two scientists—one of which from the publicly-funded Smithsonian Institute—who wanted to study the “Kennewick Man”. In order for the claim to fall under the Native American Graves Protection and Repatriation Act (NAGPRA) it became necessary to establish the lineage of these remains. This fight unleashed a controversy with groups attempting to establish white ancestry, and with this seeking to altogether undermine the indigenous sovereignty over land and ancestors and annul centuries of colonial violence. The evolving science of DNA and cranial morphology was grotesquely called in to testify to the purity of the bones’ ethnicity, where native claims to embodied knowledge of its origin had little means of addressing the court. Despite all of this, the Umatilla people and other tribes ultimately repatriated the “Ancient One” and he was reburied earlier this year in 2017. 　　Bios: 　　Adam Khalil and Zack Khalil (Ojibway) are filmmakers and artists from Sault Ste. Marie, Michigan and currently based in Brooklyn, New York. Their work subverts traditional forms of ethnography through humor, transgression, and innovative documentary practice. Their films and installations have been exhibited at the Museum of Modern Art, Walker Arts Center, e-flux, UnionDocs, and Microscope Gallery. 　　Jackson Polys is an artist who lives and works between what is currently called Alaska and New York. His work reflects examinations into the limits and viability of desires for indigenous growth. He began carving with his father, Tlingit artist Nathan Jackson, in high school, has worked as an artist based in Alaska as Stron Softi, with solo exhibitions at the Alaska State Museum and the Anchorage Museum, and holds an MFA in Visual Arts from Columbia University’s School of the Arts (2015).

The life of renowned runner Steve Prefontaine and his relationship with legendary coach Bill Bowerman.